Welcome to my website
As a passionate violinist, I pour my soul into every note I play, and I am excited to share my love for this extraordinary instrument with you. Here, you will find a collection of my CD recordings, live performances and upcoming concert performances. Whether you are a fellow musician seeking inspiration, a curious listener eager to discover the magic of the violin, or simply someone who finds solace in the embrace of beautiful melodies, this is a place where we can connect and celebrate our shared passion.
Dönüşümler
Hülya Keser, Adelina Hasani, Paul Uyterlinde
Ayur
Hülya Keser, Adelina Hasani, Paul Uyterlinde
Rimsky- Korsakov Scheherazade, U.K. tour of Symphony Orchestra of India – 2019
‘leader Adelina Hasani played the solo’s in Rimsky-Korsakov’s Scheherazade with an eloquence that was placed in exactly the right dynamic context against the orchestra.’
(The Herald)
‘The solo violinist Adelina Hasani captivated the audience with her glittering solo renditions to weave the passages of a tale.’
(I Am Birmingham)
‘…the rich depth of the string tone, the latter led by the solo violin of Adelina Hasani.’
(The Guardian)
‘Leader Adelina Hasani’s solos were exquisite as she played with a caramel-tinged tone, capturing the essence of Scheherazade the master storyteller.’
(the artsdesk.com)
‘leader Adelina Hasani played the solo’s in Rimsky-Korsakov’s Scheherazade with an eloquence that was placed in exactly the right dynamic context against the orchestra.’
(The Herald)
‘The solo violinist Adelina Hasani captivated the audience with her glittering solo renditions to weave the passages of a tale.’
(I Am Birmingham)
‘…the rich depth of the string tone, the latter led by the solo violin of Adelina Hasani.’
(The Guardian)
‘Leader Adelina Hasani’s solos were exquisite as she played with a caramel-tinged tone, capturing the essence of Scheherazade the master storyteller.’
(the artsdesk.com)
Lalo Symphonie Espagnole with the Brabant Philharmonic Orchestra
‘Adelina Hasani was in control of everything. Quick, agile, and playing intensely into the string, she guided her instrument as well as the orchestra precisely to where she wished to be: inside the music’s warmly beating heart.’
(Eindhovens Dagblad)
‘Adelina Hasani was in control of everything. Quick, agile, and playing intensely into the string, she guided her instrument as well as the orchestra precisely to where she wished to be: inside the music’s warmly beating heart.’
(Eindhovens Dagblad)
Brahms Violin Concerto with the Brabant Philharmonic Orchestra
‘Hasani plays this violin concerto as it should be, full of defiant accents, willing to take risks, and with a pithy ‘Balkanschwung’, like cries from the heart sounded without mercy on the strings of the violin. It’s hard to imagine that so much passion could issue forth from such a fragile-seeming figure; Hasani appears to be coolly under control. However, as soon as she reaches the stage, the internal bomb seems to burst, as it were. At the end of the lengthy first movement, Hasani propels a furious cadenza outward, one that continues to resonate long afterwards…A noteworthy interpretation…’
(Brabants Dagblad)
‘Her presence, her delivery, and especially her playing itself place her in a favourable light in comparisons with the international top violinist scene. With firm bowing, a flawless left hand, and the necessary confidence, Adelina proved to be the sort of soloist that is most definitely present. She took charge with great awareness and insightful, passionately driven musicality.’
(Eindhovens Dagblad)
‘Hasani plays this violin concerto as it should be, full of defiant accents, willing to take risks, and with a pithy ‘Balkanschwung’, like cries from the heart sounded without mercy on the strings of the violin. It’s hard to imagine that so much passion could issue forth from such a fragile-seeming figure; Hasani appears to be coolly under control. However, as soon as she reaches the stage, the internal bomb seems to burst, as it were. At the end of the lengthy first movement, Hasani propels a furious cadenza outward, one that continues to resonate long afterwards…A noteworthy interpretation…’
(Brabants Dagblad)
‘Her presence, her delivery, and especially her playing itself place her in a favourable light in comparisons with the international top violinist scene. With firm bowing, a flawless left hand, and the necessary confidence, Adelina proved to be the sort of soloist that is most definitely present. She took charge with great awareness and insightful, passionately driven musicality.’
(Eindhovens Dagblad)
Badings Concerto for Two Violins and Orchestra with Ilya Grubert and the Brabant Philharmonic Orchestra
‘…Badings composed this work [Concerto for Two Violins and Orchestra] originally for Theo Olof and Herman Krebbers. On Thursday it was Ilya Grubert and Adelina Hasani who made the twin solo scores sing in lyrical intricacy.’
(Trouw)
‘…Badings composed this work [Concerto for Two Violins and Orchestra] originally for Theo Olof and Herman Krebbers. On Thursday it was Ilya Grubert and Adelina Hasani who made the twin solo scores sing in lyrical intricacy.’
(Trouw)
Prokofiev Violin Concerto nr. 1 with the Brabant Philharmonic Orchestra
‘Her bowing style was strong, her fingers landing with sureness as they flew over the strings; her sound was generous, and she showed great sensitivity to the piece’s atmosphere.’
(Eindhovens Dagblad)
‘Her bowing style was strong, her fingers landing with sureness as they flew over the strings; her sound was generous, and she showed great sensitivity to the piece’s atmosphere.’
(Eindhovens Dagblad)
Bartók Violin Concerto nr. 1 with the Brabant Philharmonic Orchestra
‘…During the unaccompanied passage in the delicate opening Andante, the young Albanian violinist Adelina Hasani immediately lets us hear her impressively spot-on intonation.’
(BN de Stem)
‘…During the unaccompanied passage in the delicate opening Andante, the young Albanian violinist Adelina Hasani immediately lets us hear her impressively spot-on intonation.’
(BN de Stem)
Mozart Violin Concerto nr. 4 with the Brabant Philharmonic Orchestra
‘…Her playing was truly outstanding. The concertmaster of this orchestra brought Mozart’s music to life in a manner that was swift, accurate, thorough, expressive and self-aware, transforming the numerous notes into a cohesive whole, with shining and radiant tone, unhindered by the least of technical limitations…her mastery of the score provided the music with room of the most benevolent sort…’ (Eindhovens Dagblad)
‘…Her playing was truly outstanding. The concertmaster of this orchestra brought Mozart’s music to life in a manner that was swift, accurate, thorough, expressive and self-aware, transforming the numerous notes into a cohesive whole, with shining and radiant tone, unhindered by the least of technical limitations…her mastery of the score provided the music with room of the most benevolent sort…’ (Eindhovens Dagblad)
Fierce and virtuosic
“..Bartók’s music [First Concerto for Violin and Orchestra] offers little in the way of a harmonic or rhythmic foothold. The soloist is obliged, for the most part, to apply a sense of structure to the piece. Adelina Hasani accomplished this overwhelmingly . . . She played the fast movement in a manner that was fierce and virtuosic, relying on her inner strength.”
“..Bartók’s music [First Concerto for Violin and Orchestra] offers little in the way of a harmonic or rhythmic foothold. The soloist is obliged, for the most part, to apply a sense of structure to the piece. Adelina Hasani accomplished this overwhelmingly . . . She played the fast movement in a manner that was fierce and virtuosic, relying on her inner strength.”
Impressively spot-on intonation
“..En route to the Romanticism of Beethoven’s Eroica following the interval, The Brabant Philharmonic makes a refreshing pit-stop for the less frequently played violin concerto that Bartók wrote for his beloved. During the unaccompanied passage in the delicate opening Andante, the young Albanian violinist Adelina Hasani immediately lets us hear her impressively spot-on intonation..”
“..En route to the Romanticism of Beethoven’s Eroica following the interval, The Brabant Philharmonic makes a refreshing pit-stop for the less frequently played violin concerto that Bartók wrote for his beloved. During the unaccompanied passage in the delicate opening Andante, the young Albanian violinist Adelina Hasani immediately lets us hear her impressively spot-on intonation..”
Hasani’s Warmly Beating Musical Heart
“It’s a piece dating from the era when violinists were encouraged to display what they were capable of: Symphonie Espagnole by Eduoard Lalo. Never before had the violin been so thoroughly engaged. For the first time, the left hand reached so high that it nearly left the strings; the lowest string the G string was utilized in its entirety, which added color effects to the tone. One of the virtuosi from that period, Pablo de Sarasate, was the inspiration for Lalo when he composed the Symphonie Espagnole. Lalo called it a symphony, but the composition played last night in the Tilburg Concert Hall (Concertzaal Tilburg) by violinist Adelina Hasani is a violin concerto, airy, melodious and entertaining, filled with Spanish folk melodies as the name implies. Concertmaster Adelina Hasani was in control of everything. Quick, agile, and playing intensely into the string, she guided her instrument as well as the orchestra precisely to where she wished to be: inside the music’s warmly beating heart. The orchestra offered her collegial security, following her attentively, allowing her the requisite space for the numerous rapidly darting passages while maintaining reliable tempi and beat.”
“It’s a piece dating from the era when violinists were encouraged to display what they were capable of: Symphonie Espagnole by Eduoard Lalo. Never before had the violin been so thoroughly engaged. For the first time, the left hand reached so high that it nearly left the strings; the lowest string the G string was utilized in its entirety, which added color effects to the tone. One of the virtuosi from that period, Pablo de Sarasate, was the inspiration for Lalo when he composed the Symphonie Espagnole. Lalo called it a symphony, but the composition played last night in the Tilburg Concert Hall (Concertzaal Tilburg) by violinist Adelina Hasani is a violin concerto, airy, melodious and entertaining, filled with Spanish folk melodies as the name implies. Concertmaster Adelina Hasani was in control of everything. Quick, agile, and playing intensely into the string, she guided her instrument as well as the orchestra precisely to where she wished to be: inside the music’s warmly beating heart. The orchestra offered her collegial security, following her attentively, allowing her the requisite space for the numerous rapidly darting passages while maintaining reliable tempi and beat.”
Hasani Dazzles with Kamikaze for the Violin
“I have been working with these guys since years now! With lots of hard work and timely communication they made sure they delivered the best to me. Highly recommended!“The truth will out. That definitely applies to the often hectic life of concertizing: the animal’s true nature is quickly evident. One cannot imagine a better choice for the young Albanian violinist, Adelina Hasani, than the warm-blooded Brahms Violin Concerto. Her approach to this piece, together with the Brabant Philharmonic, turns out to be a revelation. Adelina Hasani has been concertmaster of the Brabant Philharmonic Orchestra since 2002. Performing Brahms’ devilishly difficult kamikaze for the violin could be called her artistic trial by fire – a tour de force that the 30-year-old Hasani brought off with flying colors. Hasani plays this violin concerto as it should be, full of defiant accents, willing to take risks, and with a pithy ‘Balkanschwung’, like cries from the heart sounded without mercy on the strings of the violin. It’s hard to imagine that so much passion could issue forth from such a fragile-seeming figure; Hasani appears to be coolly under control. However, as soon as she reaches the stage, the internal bomb seems to burst, as it were. At the end of the lengthy first movement, Hasani propels a furious cadenza outward, one that continues to resonate long afterwards… A noteworthy interpretation…”
“I have been working with these guys since years now! With lots of hard work and timely communication they made sure they delivered the best to me. Highly recommended!“The truth will out. That definitely applies to the often hectic life of concertizing: the animal’s true nature is quickly evident. One cannot imagine a better choice for the young Albanian violinist, Adelina Hasani, than the warm-blooded Brahms Violin Concerto. Her approach to this piece, together with the Brabant Philharmonic, turns out to be a revelation. Adelina Hasani has been concertmaster of the Brabant Philharmonic Orchestra since 2002. Performing Brahms’ devilishly difficult kamikaze for the violin could be called her artistic trial by fire – a tour de force that the 30-year-old Hasani brought off with flying colors. Hasani plays this violin concerto as it should be, full of defiant accents, willing to take risks, and with a pithy ‘Balkanschwung’, like cries from the heart sounded without mercy on the strings of the violin. It’s hard to imagine that so much passion could issue forth from such a fragile-seeming figure; Hasani appears to be coolly under control. However, as soon as she reaches the stage, the internal bomb seems to burst, as it were. At the end of the lengthy first movement, Hasani propels a furious cadenza outward, one that continues to resonate long afterwards… A noteworthy interpretation…”
Adelina Hasani Embraced by the Audience
“With her performance of the Brahms Violin Concerto last weekend, Adelina Hasani presented us with her business card, so to speak, informing us just who this latest concertmaster is and what she is capable of. Her presence, her delivery, and especially her playing itself place her in a favorable light in comparisons with the international top violinist scene. With firm bowing, a flawless left hand, and the necessary confidence, Adelina proved to be the sort of soloist that is most definitely present. She took charge with great awareness and insightful and passionately driven musicality.”
“With her performance of the Brahms Violin Concerto last weekend, Adelina Hasani presented us with her business card, so to speak, informing us just who this latest concertmaster is and what she is capable of. Her presence, her delivery, and especially her playing itself place her in a favorable light in comparisons with the international top violinist scene. With firm bowing, a flawless left hand, and the necessary confidence, Adelina proved to be the sort of soloist that is most definitely present. She took charge with great awareness and insightful and passionately driven musicality.”
Adelina Hasani the Voice of Sheherezade
“…but it was the violinist Adelina Hasani, in particular, who transformed this musical narration into a riveting experience. Her intonation was utterly perfect and her manner bewitching as she portrayed Sheherezade and the changing atmosphere evoked by the storyteller while weaving the tale.…She touched the hearts of the audience…”
“…but it was the violinist Adelina Hasani, in particular, who transformed this musical narration into a riveting experience. Her intonation was utterly perfect and her manner bewitching as she portrayed Sheherezade and the changing atmosphere evoked by the storyteller while weaving the tale.…She touched the hearts of the audience…”
Hasani Leaves Space for the Music
“A strong personality who knows what she wants and arrives where she wishes to be – these words refer to Adelina Hasani, who performed Mozart’s Violin Concerto nr. 4 in D major with the Brabant Philharmonic. Her playing was truly outstanding. The concertmaster of this orchestra brought Mozart’s music to life in a manner that was swift, accurate, thorough, expressive and self-aware, transforming the numerous notes into a cohesive whole, with shining and radiant tone, unhindered by the least of technical limitations…her mastery of the score provided the music with room of the most benevolent sort…”
“A strong personality who knows what she wants and arrives where she wishes to be – these words refer to Adelina Hasani, who performed Mozart’s Violin Concerto nr. 4 in D major with the Brabant Philharmonic. Her playing was truly outstanding. The concertmaster of this orchestra brought Mozart’s music to life in a manner that was swift, accurate, thorough, expressive and self-aware, transforming the numerous notes into a cohesive whole, with shining and radiant tone, unhindered by the least of technical limitations…her mastery of the score provided the music with room of the most benevolent sort…”
Sing in lyrical intricacy
“..Badings composed this work [Concerto for Two Violins and Orchestra]originally for Theo Olof and Herman Krebbers. On Thursday it was Ilya Grubert and Adelina Hasani who made the twin solo scores sing in lyrical intricacy.”
“..Badings composed this work [Concerto for Two Violins and Orchestra]originally for Theo Olof and Herman Krebbers. On Thursday it was Ilya Grubert and Adelina Hasani who made the twin solo scores sing in lyrical intricacy.”
Virtuosity at its peak
“..After that came Mozart’s Fourth Violin Concerto, with as soloist the orchestra’s concertmaster, Adelina Hasani. The Albanian violinist once again treated us to a sample of her virtuosity at its peak; one can only watch and listen with tremendous admiration. She had already indicated during the introduction that playing with her own orchestra invokes a particular tension and inspires her to give the finest of her capabilities. This resulted in a fantastic performance of this violin concerto.”
“..After that came Mozart’s Fourth Violin Concerto, with as soloist the orchestra’s concertmaster, Adelina Hasani. The Albanian violinist once again treated us to a sample of her virtuosity at its peak; one can only watch and listen with tremendous admiration. She had already indicated during the introduction that playing with her own orchestra invokes a particular tension and inspires her to give the finest of her capabilities. This resulted in a fantastic performance of this violin concerto.”
Blossomed in the openings
“..Richard Strauss’s symphonic tone poem, Ein Heldenleben, gave concertmaster Adelina Hasani the opportunity to shine . . . . It was remarkable when Adelina Hasani’s solo violin blossomed in the openings and cracks in the wall of sound. She played her part with fiery certainty..”
“..Richard Strauss’s symphonic tone poem, Ein Heldenleben, gave concertmaster Adelina Hasani the opportunity to shine . . . . It was remarkable when Adelina Hasani’s solo violin blossomed in the openings and cracks in the wall of sound. She played her part with fiery certainty..”
Hasani Self-Assured at the Head of the Troops
“Brabant Philharmonic Concertmaster Adelina Hasani perceives the Music Through and Through”.
“Yesterday afternoon, concertmaster Adelina Hasani – together with the Brabant Philharmonic Orchestra—played Prokofiev’s First Violin Concerto. She was invincible in both her stage presence and her manner of performance – the latter, in particular. This violin concerto contains all the elements for keeping the listener’s attention riveted. It demands personality and vision of the soloist in addition to tremendous technical accomplishment; a warm, lyrical tone; and a self-confident presentation. Adelina Hasani had all these. Buoyed by the powerful sound of her instrument, she confidently led the troops, indicating with conviction which direction she wished to take and revealing thorough perception of the music. Her bowing style was strong, her fingers landing with sureness as they flew over the strings; her sound was generous, and she showed great sensitivity to the piece’s atmosphere. She demonstrated that, as a soloist, she is deserving of a wide audience. The orchestra and solo violinist played with attentiveness to each other and colored in the piece with great imagination.”
“Brabant Philharmonic Concertmaster Adelina Hasani perceives the Music Through and Through”.
“Yesterday afternoon, concertmaster Adelina Hasani – together with the Brabant Philharmonic Orchestra—played Prokofiev’s First Violin Concerto. She was invincible in both her stage presence and her manner of performance – the latter, in particular. This violin concerto contains all the elements for keeping the listener’s attention riveted. It demands personality and vision of the soloist in addition to tremendous technical accomplishment; a warm, lyrical tone; and a self-confident presentation. Adelina Hasani had all these. Buoyed by the powerful sound of her instrument, she confidently led the troops, indicating with conviction which direction she wished to take and revealing thorough perception of the music. Her bowing style was strong, her fingers landing with sureness as they flew over the strings; her sound was generous, and she showed great sensitivity to the piece’s atmosphere. She demonstrated that, as a soloist, she is deserving of a wide audience. The orchestra and solo violinist played with attentiveness to each other and colored in the piece with great imagination.”
Phil Zuid
Mahler, Tawfiq, Fauré
2-11-2023 PLT Heerlen
3-11-2023 Chassé Theater, Breda
4-11-2023 Concertzaal, Tilburg
5-11-2023 Muziekgebouw,Eindhoven
November Music, Phil Zuid
Sporck, Fauré
8-11-2023 Grote Kerk, Den Bosch
Symphony Orchestra of India
Williams, Brahms, Wagner
29-11-2023 Warwick, UK
7-12-2023 Cambridge, UK
8-12-2023 London, UK
Symphony Orchestra of India
Strauss, Hussain, Stravinsky
30-11-2023 London, UK
1-12-2023 Birmingham, UK,
3-12-2023 Edinburgh, UK
Symphony Orchestra of India
Rossini, Khachaturian, Tchaikovsky
2-12-2023 Bradford, UK 5-12-2023 Croydon, UK
Phil Zuid
Strauss, Brahms, Stravinsky,
15-12-2023 Chassé Theater, Breda
16-12-2023 PLT Heerlen,
17-12-2023 Muziekgenouw, Eindhoven
Phil Zuid
Strauss, Rachmaninov, Stravinsky
20-12-2023 Theater a-h Vrijthof, Maastricht
21-12-2023 Concertzaal, Tilburg 22-12 Muziekgebouw,
Eindhoven Ward, Purcell, Britten, Holst
26-1-2024 Muziekgebouw, Eindhoven
27-1-2024 Theater a-h Vrijthof, Maastricht
Debussy, Schumann
14-3-2024 Theater a-d Parade, Den Bosch
15-3-2024 Theater a-h Vrijthof, Maastricht
16-3-2024 Concertzaal, Tilburg
17-3-2024 Muziekgebouw, Eindhoven
Rachmaninov, Prokofiev, Schubert
21-3-2024 PLT Heerlen
22-3-2024 Muziekgebouw, Eindhoven
23-3-2024 Chassé Theater, Breda
Hämeenniemi, Mahler
12-4-2024 PLT Heerlen,
13-4-2024 Muziekgebouw, Eindhoven
Rossini opera tournee
La Scala di Seta & Il Signor Bruschino
19-5-2024 PLT Heerlen,
21-5-2024 Amare, Den Haag
23-5-2024 Schouwburg, Tilburg
25-5-2024 Parktheater, Eindhoven
28-5-2024 Maasport, Venlo
30-5-2024 Theater a-h Vrijthof, Maastricht
4-6-2024 Schouwburg, Utrecht
6-6-2024 Chassé Theater, Breda
8-6-2024 Schouwburg, Nijmegen
11-6-2024 Openluchttheater, Valkenburg
20-6-2024 Parade Plein, Den Bosch
Opera Sing Along
22-6-2024 Parade Plein, Den Bosch
At the Movies – Flying Heroes
27-6-2024 Theater a-d Parade, Den Bosch
28-6-2024 Chassé Theater, Breda
29-6-2024Theater a-h Vrijthof, Maastricht
30-6-2024 Muziekgebouw, Eindhoven
6-7-2024 Concertgebouw, Amsterdam